Hard Truths (2025) Film Review

Director: Mike Leigh

Studio: StudioCanal

Review by Robbie Fleming

Although Mike Leigh is an iconic British director, I have to admit I’d never seen any of his films before. I’ve always meant to watch Secrets & Lies (1996), but for one reason or another, I never got around to it. So, when Hard Truths, his latest film, was released to critical acclaim, I figured it was the perfect opportunity to finally experience his work.

Hard Truths follows the struggles of Pansy (Marianne Jean-Baptiste), a depressed and cynical woman, and her relationship with her upbeat sister Chantelle (Michele Austin). The film has been widely praised, with Jean-Baptiste earning Best Actress nominations at the Critics' Choice Awards, BAFTAs, and Gotham Awards, while also making history as the first woman of color to sweep the NYFCC, LAFCA, and NSFC Best Actress prizes.

Since we’re celebrating the best of British cinema, reviewing a Mike Leigh film felt essential. Now, after watching Hard Truths for the first time, here are my thoughts.

The standout aspect of the film is undoubtedly Marianne Jean-Baptiste’s performance. I already thought she was great in Broadchurch Season 2, but here, she delivers something truly remarkable. Her performance is transcendent—she doesn’t just play a character; she inhabits a real person with such authenticity that you forget you're watching a fictional film. It’s easy to see why she’s receiving so much awards recognition, as her work here feels raw, lived-in, and deeply affecting.

Michele Austin also delivers a great performance as Chantelle, serving as the perfect foil to Jean-Baptiste. The two share brilliant chemistry, creating a compelling dynamic that makes their scenes together especially engaging. Even though most of the supporting cast were relatively unknown, they all delivered naturalistic performances that blended seamlessly with Jean-Baptiste and Austin’s work. I also have to praise Jo Martin for her small but memorable role—it was a nice touch to see Jean-Baptiste working with another Doctor Who alum.

One of the things I admire about Mike Leigh’s filmmaking style is his use of improvisation to shape his scripts and draw out raw, authentic performances from his actors. His direction in Hard Truths is fantastic—grounded and unvarnished, reminiscent of filmmakers like Ken Loach and Andrea Arnold. It’s easy to see why Leigh is so highly regarded; his unique approach demonstrates a deep dedication to his craft.

This film also marks the final work of cinematographer Dick Pope, who sadly passed away in October 2024. He went out on a high note, as his cinematography beautifully grounds the film in reality. The production design enhances this further, offering an authentic depiction of London that feels true to life. I also appreciated the film’s editing, which ensures a smooth narrative flow and makes the story easy to follow.

The story works as a compelling character study, offering an intimate look into Pansy’s life and the struggles her anxiety causes her. She’s a deeply relatable character, with moments that reflect emotions and impulses many of us have likely felt. Some might argue that the film leans into melodrama or even resembles a soap opera at times, but Leigh’s writing keeps it grounded and authentic. His naturalistic approach, combined with Jean-Baptiste’s nuanced performance, brings Pansy to life in a way that feels uniquely real.

Overall, Hard Truths is a fantastic film that shines thanks to Mike Leigh’s sharp writing and direction, as well as the standout performance from Marianne Jean-Baptiste. Its grounded storytelling and raw realism make it one of the most striking films I’ve seen in a long time. It’s a shame that Jean-Baptiste missed out on an Oscar nomination, as her performance is undeniably powerful and deserving of recognition.

I give Hard Truths a perfect 10 out of 10 and 5 out of 5 stars. While it may not be a film for the average moviegoer, if you’re looking for an authentic portrayal of British life through cinema, this is one you absolutely need to check out.