Review by Robbie Fleming
Director: Wong Kar-wai
Studio: Block 2 Pictures/Océan Films
UK Release Date: October 27, 2000
Set in 1960s Hong Kong, In the Mood for Love follows a man and a woman who develop a deep connection after discovering their respective spouses are having an affair with each other. Written and directed by Wong Kar-wai, this film is the second installment of his celebrated love trilogy, which also includes Days of Being Wild and 2046. The film stars the brilliant Maggie Cheung and Tony Leung in the lead roles.
Wong’s unconventional approach to filmmaking made In the Mood for Love a complex production. The shoot ran significantly over schedule, forcing cinematographer Christopher Doyle to leave the project for another commitment. Mark Lee Ping Bin stepped in to complete the film, and both are credited for their stunning work.
Premiering at the Cannes Film Festival, the film competed for the prestigious Palme d’Or. While it ultimately lost to Dancer in the Dark, Tony Leung made history as the first actor from Hong Kong to win the festival’s Best Actor award.
Since its release, In the Mood for Love has earned its place as one of the greatest films of the 21st century, inspiring directors and films like Lost in Translation and Everything Everywhere All at Once. Its poetic storytelling, visual elegance, and emotional depth have cemented its reputation as a masterpiece.
I’ve often told Chris how much I’d love to spotlight Wong Kar-wai’s work. His distinct directorial style, attention to detail, and ability to elicit exceptional performances from his cast make him one of cinema’s finest auteurs. While I’ve always admired his visual storytelling, In the Mood for Love stands out as a perfect blend of artistry and heartfelt narrative.
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Unlike many of Wong Kar-wai’s films, which emphasize atmosphere over relatability, In the Mood for Love offers a story that feels accessible while maintaining his trademark dreamlike style. The themes of adultery, loneliness, and human connection make the plot deeply relatable. The film’s focus on the evolving relationship between its two protagonists is captivating, as their initial awkwardness blossoms into a profound bond.
Tony Leung (whom you might recognize from Shang-Chi and the Legend of the Ten Rings) and Maggie Cheung deliver outstanding performances, with chemistry so believable it adds layers to their characters’ connection. There have been rumors that the actors had an affair during production, though this has never been confirmed.
Visually, the film is breathtaking. Wong’s atmospheric style is beautifully captured by the dual cinematographers. Doyle’s shots are more static and contemplative, while Lee’s feature more dynamic movement, making their combined work a feast for the eyes. The use of vibrant colors enhances the visual storytelling, adding richness and detail to every frame.
The music is another standout element, perfectly complementing the film’s tone. Michael Galasso’s score adds quirkiness and emotional resonance, while songs from the early ’60s firmly root the film in its time period. As with many Wong Kar-wai films, the music is integral to establishing mood and atmosphere, and In the Mood for Love is no exception.
In the Mood for Love is a stunning film that transcends the romantic drama genre. Wong Kar-wai’s direction, the poignant screenplay, the exceptional performances from Leung and Cheung, and the exquisite cinematography make it a true masterpiece. It’s one of the greatest love stories of the 21st century and a must-watch for anyone looking for a unique take on romance.
I give this film a 5/5 stars and a 10/10 rating.
If you’re in the mood for something different this Valentine’s Day, In the Mood for Love is an unforgettable choice.
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